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It is common to view maps as simple reflections of the world. Maps, however, are more complex and dynamic. They are a potent form of spatial imagination and a powerful means of producing space. This article encourages archaeologists to experiment with, and to produce a multiplicity of, maps and other spatial images. As an example, this article juxtaposes two previously unpublished maps of Punta Laguna, Yucatan, Mexico: a site map created using traditional archaeological conventions and a visual cartographic history created using Indigenous Maya spatial ontologies. Because they depict space relationally, Indigenous Maya maps are arguably more congruous with contemporary social theories about space than are traditional Western maps. Further, the juxtaposition of two radically different maps of the same place highlights those mapping conventions that scholars often take for granted; demonstrates how specifically maps are selective and subjective; and emphasizes that Western worldviews are neither natural nor ubiquitous.